Saturday, December 08, 2018

Radio fan shoots wife DEAD!

Extreme action 

by radio DXer

Many of us in the radio fraternity take radio to its exteremes, devoting hours to what is probably thought of by many 'normal' people as "Nerdy".  

One such afficionado is FRED HUBER, from the American  mid-west, who took such a dislike to his wife Eleanor Huber daring to "tochu that dial"  (as many DJs have warned us not to do) that he shot her. Dead!

An incredible story. Very sad, and one that might make me and some of my friends  a bit more wary of persuading our nearest and dearest to sit down with them for a quite evening twiddling the knobs.

Wednesday, August 08, 2018

"Stay out of Court" guide for radio station staff


with this "more than useful" new book

Essential Reading if you work in radio

Paul Rusling 

Many people running radio stations think their biggest legal danger comes from journalists, and what they might put into a news bulletin.   The reality is, however that it is their presenters and DJs who are the biggest potential danger to the station - they are the ones more likely to get a radio station into trouble. 
“At least journalists usually have some legal training in college and read off pre-prepared scripts. However presenters ad lib their links and are untrained in media law," says Paul Chantler.  "It is no coincidence that the two biggest legal catastrophes in commercial radio in the last 20 years were caused by presenters rather than journalists.
“The next big legal problem in radio will probably be caused by Johnny Jock on Radio Nowhere’s breakfast show commenting on allegations he read on Twitter about the local mayor – Very dangerous.”
Paul Chantler has worked as a journalist, presenter, producer and PD in British radio for over 30 years.  His co-author, Paul Hollins, who currently presents on Smooth Radio, has worked on stations all over the UK including Key 103, BRMB, Capital London andHeart London. 
This is an easy-to-understand guide to the laws of defamation and contempt for radio broadcasters, podcasters and social media users.  It is  illustrated with lots of real-life examples of when things have gone wrong and what to do to ensure you... keep it legal.   At £ 9.99 it is FAR cheaper than a lwyer, and way cheaper than the cost of going to court. 

Your can find KEEP IT LEGAL at Amazon 

- full details HERE.

For more useful books on radio - Programming and Production, 
see the World of Radio web pages about Radio Books 

Saturday, March 18, 2017





Legendary Motown musician Stevie Wonder has joined the battle for the future of radio. He's written a lengthy article about how the current trend towards ever more copyright bodies is stifling radio and may lead to its demise. The move will certainly drive many smaller stations out of business, leaving only the big boys on the bands - the major conglomerates.

Stevie makes several impassioned pleas in his article (you can read it all by clicking here), and stands up firmly on the sign of broadcasters.  He owns his own station in Los Angeleses, called KJLH Stevie says it stands for Kindness, Joy, Love and Harmony and he insists that the DJs have a free hand in the music they play. The station even includes the name FREE in its title.  Stevie bought the station over forty years ago, in the early 1970s. KVLH has long been one of the leading black music stations in California and is now the oldest African-American owned station on the west coast.

"Radio give us not only music and entertainment and direct into our homes, but news, war and religion, " says Stevie.  "It has helped shape the psyche of our country in difficult times and it has served to reassure us that we were not alone at times we thought we were. And while radio has seemingly been eclipsed through the years by other forms of mass communication, radio remains that constant that we rely on to always be there to deliver what we need."

The first thing most people think about when they think about radio is hearing their favorite song," Stevie reminds us. "Or they will be tuning in to listen to their favorite radio personality, because to this day DJs are often just as big a star as those on the records they spin (an out-of-date metaphor, I know, but you get the point).

"The first thing most people think about when they think about radio is hearing their favorite song," Stevie reminds us. "Or they will be tuning in to listen to their favorite radio personality, because to this day DJs are often just as big a star as those on the records they spin (an out-of-date metaphor, I know, but you get the point)."

"Mo matter how much current artists embrace new technology and platforms to spread their music, if you ask any one of them, they will still tell you that their biggest kick came from hearing their song on the radio for the first time, " says Stevie in the article

One of Stevie's best friends will tell you exactly the same. Paul McCartney (his and Stevie's duet Ebony and Ivory was #1 around the world in late 1983) reports that the first time he and the other three Beatles heard their music on the radio was in the group's van travelling home from a gig in 1962. They herd it on Radio Luxembourg; DJ Tony Prince has the actual copy played  and now signed by Paul McCartney its worth over £10,000. 

"All across the country there are still independent station owners maintaining a strong and vital link to their communities in the form of being not just a source of entertainment but also the eyes, ears and voice of their listeners. They are small-business men and women trying to be of service to their local markets while also dealing with the obstacles of running a radio station. I know these people very well, because I am one of them. I have owned my radio station KJLH in Los Angeles for almost 40 years," says Stevie, whose music continues to be among the most downloaded on iTunes. KJLH programmes all kinds of black-oriented music, but primailly jazz and urban contemporary. 

  "We strive very hard to be a meaningful member of our community and offer things that the large or nationwide programmers can’t. We are a home to our listeners, a place they find comfort and refuge from the mass market. All that is threatened if we cant stay in business. As a songwriter and recording artist, I grew up at a time when there were only two performing rights organizations in the United States, ASCAP and BMI. In virtually every other country in the world there is only one society. Then came a third, SESAC. And now we have a fourth: GMR. We  independent station owners are facing higher costs to play the music our audience wants to hear.  We have chaos, uncertainty and uinfairness!"

Let us all find a way to create a better system that takes away the need for any of us to be unhappy. 
Let us work together to get this thing right.

Thursday, February 02, 2017

CBS sells radio stations to Entercom

CBS sells radio stations to Entercom

One of the largest and highest rated American radio networks, CBS RADIO, is to be sold to the foruth largest owner of stations, ENTERCOM.  The neas was announced on 2nd February 2017. 

Entercom began in the late 1960s and currently runs 125 stations across a couple of dozen markets. It sees this merger as a consolidation and boosting of its earnings for shareholders and outlets for advertisers. Its share price showed gains of around 7% on the news that calls it "the creation of a pre-eminent radio platform."  

Entercom's CEO David Field will run the new network, which is expected to get NYSE and FCC approval before Easter.  “This agreement is great for shareholders and achieves our previously stated objectives by separating our radio business in the best possible way,” said Leslie Moonves, Chairman and Chief Executive Officer, CBS Corporation. “Entercom is a superbly run company, and together with CBS Radio’s powerful brands and remarkable people, we are creating an organization that will be even better positioned to succeed in this rapidly evolving media landscape.”

 “These two great companies, with their impressive histories, complementary assets, and premier content and brands, are a perfect strategic and cultural fit, enabling us to deliver local connection on a national scale and drive accelerated growth," commented David J. Field,  is to be in charge of  the new combioned company.  "We look forward to welcoming our talented new colleagues at CBS Radio, and we have the utmost respect for their significant contributions to the industry.”

Monday, October 03, 2016



           World of Radio Ltd has published a new book, all about the eleven radio stations which have broadcast from the Radio Ship, the MV Communicator.  The book is written by Paul Rusling who was part of the team which set up LAser 558 on the ship back in 1983 and 1984. He draws heavilly on conversations with colleagues and others who were involved with the ship over its 21 year career as an offshore radio station. In that time, a total of eleven  radio  stations have used the ship, to avoid the draconian European bradio regulations.  

The First Phase saw LASER 730, LASER 558 and LASER HOT HITS broadcasting from the mouth of the Thames Estuary, with CSI transmitters and a very shaky antenna system.  Over five million listeners in the UK tuned in and a similar number on the near continent. She was blockaded by the British Government and eventually her crew mutinied after being starved of supplies by her operators. 

After going into port she was sold at auction but the new owner was just as hapless at getting supplies to her, and the ship was mercilessly battered by storms and a run of bad luck. On two occasions she was forcibly boarded during the night, on one occasion by one of her co-owners! 

In 1989 the ship was taken to Portugal for refitting, but was detailed for a while by the government after Dutch agents told them that one of her new customers, the Undergound Church, was a front for mercenerary recruitment and other nefarious activities. Her next port of call was the Netherlands where she was made much more welcome and given a succession of licences to broadcast no less than six radio stations: 

Holland FM, 

Holland Hot Hits 

Hot Hits 1224 

Veronica Hot Hits

Q Radio and 

Q The Beat.  

The Communicator's next port of call was a trip back to England and her old home port of Lowestoft where work began equipping her to broadcast from the Irish coast.  A last minute change of plans saw her head to the Orkney Islands and a base in Scapa Flow. There she helped launch The Super Station in 2004 but she was soon up for sale again.

During her trip around the European radio waves and various ports she was home to many DJs, radio engineers and various projects.  All are detailed in this great new book which spills the beans on the huge amounts of money the ship made for her various owners. 

Now availabe as HARDBACK
or as a SOFTBACK copy 
This is a collection of stories of those eleven radio stations that were heard transmitting from the Communicator at one time or another. The book also examines the background into several other radio projects that had plana to transmit from the ship. It's a story of adventure, intrigue and mystery.  The midnight raids, some outright extortion, several takeovers and of course that real lure of pirate radio - The Loot! 

Among the questions that this book answers are:-
  • Why broadcast from on board a ship?
  • What qualifications did DJs need on the ship?  
  • How did people live on board?  
  • What did everyone eat and drink? 
  • What did they do in their leisure time?
  • Whose was the ghost who manifested by the transmitter?

 Its a fun-filled, action-packed tale of 
dramatic events on the High Seas.  
Over 200 pages of swashbuckling excitement!  

To get a copy you can either order it at your local bookshop (ISBNs are below) or order via Amazon, or direct from the publishers who can get me to personally sign it and put in whatever dedication you wish.   Find it at the WorldofPagesweb site. An excellent idea for a Christmas present perhaps?

Link to  'Radio Adventures of the MV Communicator'
Radio Adventures 
of the MV Communicator
by Paul Alexander Rusling.  
Published by World of Radio Ltd
ISBN   Hardback   978-1-900401-14-2
             Softback   978-1-900401-12-8

The original book about Laser, called The Lid off Laser 558,  is currently being reprinted.  

Wednesday, March 02, 2016

Soul's big hole in the radio market?

The shock news this week that Ministry of Sound has abruptly closed its radio outlet took some time to sink in.  As an old soul boy myself  I find myself tuned to more and more soul outlet, and the MoS channel, although poorly presented and with a music format that was literally "all over the road" was a key port of call as my fingers wandered top and down "the dial". (strange how we still say that, even though like so many I pick my stations out on a keyboard these days!)

I was first turned on to soul music by Johnnie Walker playing the latest hot American sounds on Swinging Radio England in 1966. It was on SRE that I first got into Wilson Picket, and others from the Atlantic and Stax labels as well as the very latest tracks from Motown, usually months before they were released by the UK Motown office at EMI in London. When I began DJing, I also played a lot of UK releases that never even got radio play - stuff like the Karate Boogaloo by Jerry O and heaps of stuff on the Action, Soul City,  Direction and President labels. Getting hold of American pressings came later, when I heard stuff on AFN from its giant station in Frankfurt that played the latest US  releases.  

We've never had a radio station solely for soul in the UK that was available on regular radios and covered the whole nation. Some DJs have a love for soul and play as much as they can - Tony Blackburn is a great example, Dave Gregory too and of course Robbie Vincent, all of them are heard all too rarely on the radio. But there isn't a radio station that you would call a pure soul music radio station hat has become mainline, big time and a huge success.

I know some of the DAB channels have some soul, some of the time, and I'm always grateful for it and pleased to help promote it. But reception of DAB is so poor in many areas, especially in parts of the North, in Wales, Cornwall and Scotland, where it's almost inaudible outside the major population areas.  This is the reason 'land pirate' stations have thrived - there is a huge market of listeners who want to hear the music of their choice on the radio.   

The explosion on online radio means that at last almost anyone can open their own radio station. Listeners voice with their feet (OK, their ears!) and we have seen several stations come and go. Perhaps one of the longest surviving is SOLAR which began as a tower rock pirate in London. They are now heard on two of the small scale DAB trial stations (in London and Norwich) as well as online. Solar features some well known DJs from the soul scene, such as Tony Monson and Les Adams; great legendary names and very competent guys who really know their soul.  The station however does veer towards jazz, lounge and all kinds of laid back stuff that just doesn't appeal to me.  Plenty of time to be 'laid back' when I'm old! 

If you want  something a bit more uptempo, there is Glitterball Radio, Northern Soul-100mph, and Station X which I do dip in and out of quite often, but I notice from the listener count that the audience for some online stations is often a big fat zero. Clearly they are not reaching the hundreds of thousands listeners that we should fans KNOW are searching for some up tempo soul to speed their day along.  

So why aren't these stations more successful and achieving 'big time' status?  The reasons are very simple - they are lacking in one of the FOUR GOLDEN RULES OF SUCCESSFUL RADIO, essential elements you need to make a radio station succeed:

1. PROGRAMME a  format that's in demand
2  Make it  easy for listeners to FIND the station 
3.  PROMOTE -  tell people you're there!
4. Keep listeners listening, by engaging with them

once you have a solid station, with regular listeners
5. Market the station to sponsors - advertisers, etc

There are many other skills needed but those four above  which can be simplified as:
Programme  Engineer  Promote  Communicate

Thee are the vital ingredients.  If any one of these elements is missing, the station cannot succeed.and then
       SELL the air time             which means 

(I don't think of it as selling the listeners, I regard this as renting out all those pairs of ears!)

Now YOU can now have your own radio station

Listening is now moving towards online, and with more mobile WiFi capacity becoming available and very cheaply ANYONE can have their own radio station. No licence is required.  All you need is the KNOWLEDGE  to do it, and we have the solution for that. its all in this eBook

You could start by checking out a book I just published as an eBook which tells you exactly what you need and where to find all that you need. 

Internet Radio 2016 comes complete with links to all the suppliers - equipment, music, staff training, etc. It's your starter for a successful radio station and it will cost you only £6.89, so why not grab a copy now?  I think you'll be pleased that you did!

Never forget those  Golden Rules of Successful Radio.

And I look forward to hearing YOUR radio station !


Need help launching a radio station?  Contact Worldwide Broadcast Consultants 

Tuesday, March 01, 2016

Major London station closes

Ministry of Sound closes radio station 

The London-based  dance music station run by the Ministry of Sound has closed almost all its outlets.

 Although it can still be heard on Tune-In, where it has 480,000 followers, the station's other outlets are running a looped announcement telling listeners that "Ministry of Sound Radio is no longer broadcasting." The station was previously on DAB and online.  

Their web site diverts browsers to a page saying: "MoS Radio is taking some time off the air while we work on exciting new projects.  We look forward to sharing with you the next stage of Ministry of Sound and want to thank you for listening."

The station was launched in 1999, broadcasting solely on the MoS website. It then appeared on DAB in London and parts of Scotland from 2000 with live programmes. According to Akamai, it soon became the world's most listened-to dance radio station. The DAB service in London was closed after only two years in December 2002. The slot was then filled with a rebroadcast of Yorkshire's dance music regional station,  Galaxy FM.  Ministry of Sound Radio has been broadcasting on line continuously since 2002. 

Ministry of Sound also produces syndicated programmes for various places and it licences the Ministry of Sound brand in several countries.  

In Australia, Ministry of Sound Radio is hosted by Australian DJ Timmy Trumpet. The programme is heard every Saturday night / Sunday morning and is relayed by about a hundred radio stations throughout Australia.